Drum auditions for tour free#

9ДЄdditional organ audition information here.Дemonstrate the ability to perform вЂњthe headвЂќ to selected standard jazz compositions and the ability to improvise over the preexisting standard and altered chord changes. Langlais: Organ Book DuprГ©: Fifteen Antiphons for Organ Schroeder: Kleine PrГ¤ludien und Intermezzi, Op. Selected movements from the Mendelssohn Sonatas Vierne: 24 Pieces en Style Libre Brahms: Chorale Preludes, Op. Suggested Repertoire: BaroqueД«ach: Chorale Preludes from the OrgelbГјchlein or one of the Eight вЂњLittleвЂќ Preludes and Fugues Couperin: Pieces dвЂ™Orgue Romantic For prospective performance majors, memorization is encouraged.

Drum auditions for tour free#

The hymn may incorporate a free introduction and/or reharmonized verse(s). Works from three style periods (Baroque, Romantic, and Contemporary) and one hymn are required. ContemporaryДЄ work by Debussy, Bartok, Prokofiev, or another 20th or 21st century composer. RomanticДЄ work by Mendelssohn, Chopin, Brahms, Schumann, or Liszt. One movement of a sonata by Haydn, Mozart, Beethoven, or an equivalent work. Suggested Repertoire: BaroqueДЄ two-part or three-part invention or a selection from the Well-Tempered Clavier by Bach, or an equivalent work from the same period. Sight-reading portion of the audition will take place during the Audition Day interview with the piano faculty. If you submit a recorded audition, select ONE major key and ONE minor key for scales and arpeggios. The auditioning committee will make requests from the following technical areas: all major and minor scales and all major and minor triad arpeggios in root position (four octaves). At least two of the three compositions must be performed from memory. Works from three of the four style periods (Baroque, Classical, Romantic, 20 th & 21 st Century) are required. English selections may be from the standard repertoire classical repertoire and the standard repertoire of the American Musical Theater, such as Broadway songs written before 1970 or Sondheim songs.Prepare seven selections including four languages and at least one opera or oratorio aria.Transfer and Second-Degree Performance Applicants Foreign language selections (Italian, German, French, or Spanish) should be from the standard classical repertoire.English selections may be from the standard repertoire classical repertoire or from the standard repertoire of the American Musical Theater, such as Broadway songs written before 1970 or Sondheim songs.Prepare five selections including three languages.Transfer and Second-Degree Music Education and Music Therapy Applicants Prepare one foreign-language song (Italian, German, French, or Spanish) from the standard classical repertoire.It may be from the standard repertoire classical repertoire or from the standard repertoire of the American Musical Theater, such as Broadway songs written before 1970 or Sondheim songs. Pre-recorded accompaniments of any type are not allowed for face-to-face auditions.ДЇor questions about audition selections contact the chair of the Vocal Studies Department, Professor John Kramar, addition to the singing portion of your audition you will be assessed on your aural and written theory skills.An accompanist will be provided for your audition.Bring to the audition one copy of each musical selection.All selections must be performed from memory.He teaches an array of courses, including History of Jazz, Jazz Piano, and Beginning and Advanced Improvisation, as well as leading various workshops and ensembles. The musicians he admires most are Herbie Hancock, Charlie Parker, John Lewis, John Coltrane, Miles Davis, and Wynton Kelly, though he is quick to acknowledge that he owes the basically be-bop/post be-bop sound of his playing to his mentors, Don Lanphere and Floyd Standifer.Д¬ritics have praised Seales variously for his 'meaty piano solos,' and 'blues inflected, Hancock-inspired modernism.' Winner of numerous Earshot awards (Instrumentalist of the Year in 1999 and Acoustic Jazz Group in 20 Jazz Hall of Fame, 2009), Seales is today promoting jazz awareness and molding young talents as a Professor of Music at the University of Washington, where he is a professor in the Jazz Studies Program. With the late Don Lanphere he performed in such places as London, England Kobe, Japan The Hague in the Netherlands and the North Sea Jazz Festival. He has played with nearly every visiting jazz celebrity from Joe Henderson and Art Pepper to Benny Carter, Mark Murphy, and Bobby Hutcherson. A noted pianist, composer and leading figure in the Northwest jazz scene, Marc Seales has shared stages with many of the great players of the last two decades.